NKISI PRESENTS THE ALTAR

The Altar channels Nkisi’s sound research on ancestral African ethnography and her love for 90’s club escapism, throbbing Belgian 80’s industrial EBM pulses and sheer electronic ecstasy. The Altar can be considered a site-specific audio visual performance and installation format with live drumming and synths, vocals, the creation of an altar with candles, scents, and musical activations.

STEFANIE EGEDY PRESENTS B.A.S. (BODIES AND SUBWOOFERS)

Stefanie Egedy investigates sound as a composer of conceptual pieces, commissioned works, and experimental electronic music. Focused on researching possibilities with low frequency sound, bodies, and subwoofers, her work stems from installations to live performances as sonic propositions.

LOREM PRESENTS DISRUST EVERYTHING

The multi channel A/V installation Distrust Everything invites us to use our imagination as a way to escape from the realism that hampers our language and experience, using a multichannel installation which explores the relationship between human unconscious and the algorithmic one. The project is based on the data obtained by artist and researcher Mirek Hardiker, who spent 21 years compiling transcriptions of dreams. Now these data feed the neural networks which shape the narrative of this aesthetic production, as intense as disturbing.

LOREM PRESENTS TIME COILS

LOREM’s upcoming touring plans include a new audio visual live performance accompanying the release of ‚Time Coils‘ – a stunningly complex Album which further solidifies the research-driven practice integral to LOREM’s development as an identity. LOREM is primarily known for their pioneering work with machine learning and subsequent narrative-focused live shows. Returning to their roots while simultaneously spanning new terrain, the release of their latest venture, ‚Time Coils‘ communicates a deeper sonic exploration into their digital archives.

STEFANIE EGEDY & TYMM NOVYY

With B.O.D.Y., Stefanie Egedy and Tymm Novyy collaboratively draw from their individual research, to manipulate lasers, lights, low-frequencies, and subwoofers. The one-hour performance is composed of sequences of spatial-sonic-architectural gestures and movements. It can be presented in an optional longer installative format. Both works seamlessly integrate the site-specific acoustic and architectural features of the venue. This intentional design process allows the performance to dynamically respond to the unique characteristics of the space, creating a bespoke score for each occasion.